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How to Make
an Authentic Medieval Coat of Arms Using Shields,
Knights and Heraldry educational software to
print a shield and traditional medieval devices for your
coat of arms
Introduction
During the Middle Ages, knights used a coat of
arms to identify themselves. One man in armor looked a
lot like another, so the coat of arms was used to
identify a knight in battle. In a society where few
people could read and write, pictures were very
important. A coat of arms was more like a label for
instant identification than it was like a painting. You
wanted to know instantly who was coming toward you, so
you could know which side he was on. Coats of arms later
took on further significance and meanings. They also
became a way of showing membership in the aristocracy,
after they lost their significance in warfare.
Only the oldest son would inherit his
familys coat of arms unchanged; his younger
brothers would usually add a symbol to show who they
were. The symbol a younger son added was often a smaller
picture placed in the middle of the shield. When a woman
married, especially if she had no brothers, the coat of
arms of her family was often added to her husbands
arms. Sometimes the arms were quartered, or divided into
parts. In this case, the mans family coat of arms
was in the upper left quarter (as you look at the coat of
arms) and lower right, while the womans
familys arms were in the other two quarters.
Shields are generally "read" like a book,
starting at the upper left, going across and then down.
A coat of arms can have several parts. The main
part is a shield, which can have a crest above it, a
motto, and animals supporting the shield. We will deal
only with shields.
The blazon was a description of the
shield in words, using a special vocabulary. The terms
used in heraldry are similar to a kind of old French.
French was the language used by the aristocracy during
the Middle Ages. The idea is that a shield can be
described by one expert in heraldry so that another
expert could draw it correctly without ever seeing it. To
draw the coat of arms from the description is to emblazon
it.
Pick a color for your
shield
The background of a shield is called the
"field" If you want a divided shield, click here to
see the traditional divisions. Most shields were undivided. Traditional
heraldry used only the following colors and metals
(except for an object that was proper, which
means in its natural colors)
Colors:
Gules
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Bright Red
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Azure
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Royal Blue or Sky Blue (not
pastel)
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Vert
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Emerald Green
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Purpure
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Royal Purple
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Sable
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Black
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Metals:
Or
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Gold
(yellow) |
Argent
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Silver
(white) |
Or can be light yellow, and argent
can be white. However, medieval people would have
preferred metallic paint to the ordinary colors. You will
probably want to use metallic colored pencils or markers
if you have them.
Another color designation is "proper",
which means in the most common colors found in nature for
that object. A "bear proper" would be brown and
a "tree proper" would be green with a brown
trunk. The rule "metal on color and color on
metal" is not always used when the charge is
proper".
Select the other colors for your
shield
The basic rule is "metal on color, or color
on metal, but not metal on metal or color on color".
This means that the field (the background) on your shield
can be either a metal or a color. The main object or
objects should be a color if the field is a metal, or it
should be a "metal" (silver or gold) if the
field is a color. If there is another object on top of
the main object, it should be a metal if the background
is metal, or a color if the background is a color. It
doesnt have to be the same metal or color. You can
have color-metal-color or metal-color-metal. The rule
"metal on color or color on metal" is not
always used when the charge is proper.
However, if the background is divided (such as
per pale), those are considered as being next to each
other, not on each other, so you can have two or three
colors or two metals. This rule about colors and metals
provides contrast, making the shields bright and easy to
see. If you have a shield with a circle with a horse on
it, the base color, the circle and the horse have to
follow the metal/color/metal or color/metal/color rule. A
gold shield with a green circle and a silver horse would
be correct (metal/color/metal); a gold shield with a
green circle and a black horse (metal/color/color) would
not. However, if you have a horse below a circle, both
the horse and circle have to be a color if the shield is
a metal, or metal(s) if the shield is a color.
Choose the charges on
your shield:
A charge is what is shown on the base color of
your shield. Animals were frequently used as a main
charge.
Animals were shown in certain traditional
postures, which were not meant to be realistic pictures
of the animals. They were not drawn to look three
dimensional, but were shown as if they were flat, and
with the most characteristic parts of them the most
obvious. The pictures were to represent the animal as a
symbol. Generally the animals chosen were fierce, and
they were often show in postures of combat. Whatever
their main color, fierce animals were often shown with
red tongue and claws. Small details on a charge do not
have to follow the metal/color rule. A gold griffin can
have red claws on a blue field. Here are a few of the
most common animals on shields:
Lion
Bear
Boar
Eagle
Horse
Dragon
Griffin
There were also names for the positions in which
the animals were shown. Here are some of the most common.
rampant -
standing on hind legs
rampant guardant - standing on hind legs, face
turned toward viewer
passant - walking
couchant - lying down
sejant - sitting
The dragon and griffin, of course, are
mythological animals. They often combine characteristics
believed to be found in more than one animal. The griffin
was part eagle, part lion. Since the animals were symbols
of qualities, such combination animals were meant to
indicate a combination of those qualities.
A common design on a shield was a pun on the
family (last) name. The coat of arms for
"Wheatley" has sheaves of wheat on the shield.
Some other shields showed allegiance to one side in a
dispute by putting its symbol on their shields. The cross
on a coat of arms often meant that the original bearer
had been to the Crusades. A cross used on a shield was
always taken very seriously. There are many forms of the
cross.
Historically
Accurate Designing of Shields
Here are some basic ideas of how medieval
shields were designed, so that you can create your own in
a historically accurate way.
Static - A blazon represented a family, on an
estate. When the head of the family died, his eldest son
inherited the family arms, as well as the estate. The
coat of arms represented something permanent, stable and
unchanging. Medieval people believed that everything, and
every person, had a certain place in the universe, and
this was not supposed to change. Movement and the
suggestion of change were not generally seen on medieval
shields.
Symbolic - Pictures on shields were symbolic, that
is, they were something that represented a quality to the
viewer beyond what he saw. For instance, a lion or an
eagle meant "courage". The picture was drawn so
that everyone would know what it was, but it was not
important that it look like a real eagle.
Stylized -
Animals and other things on
shields were meant to be instantly recognizable, but they
were stylized. They were drawn according to rules, not
realistically. Usually they were drawn a position that
showed their most important characteristics clearly (a
lions mane, a unicorns horn, etc.) Animals
were drawn from directly in front, or in profile, not
from a three-quarters view, or partly turned. This also
helped to ensure that the same blazon, or description of
a shield, could be drawn by different artists and still
look very much the same.
Flat - images on a shield were shown in pure, flat
colors, without any shading. They were not in drawn in
perspective. Items were not shown in the proper size to
each other, either. Things might be drawn larger because
they were more important, but not because they were in
fact larger. A horse might be as large as a castle, not
because it was closer to the viewer than the castle, but
because it was equally important, or because it made a
balanced design.
Bold - shields were meant to be seen across a
battlefield. Also, they were a proclamation of who you
were. Lords in the Middle Ages were not shy about who
they were or their accomplishments.
How to describe
your shield -- Blazonry
Emblazoning is the drawing of the actual shield. Blazoning
is the description in words. This can get very
complicated, in the case of complex shields. We will
cover only the fairly simple types of blazoning.
The simplest type of shield has only one main
charge, (the "things" on a shield are called
charges) so it is emblazoned with the color of the
background, and then the charge and its color
vert, a lion rampant or
A gold lion in profile standing on his
hind legs on a green shield.
When there is only one charge, the
"a" (a lion, a rose) is sufficient description.
If the background is divided, it become
a bit more complicated, as in
per bend azure and sable, a lion
rampant argent
A shield divided diagonally, upper left
to lower right, blue on top and black on the bottom, with
a silver lion standing on his hind legs
per paly tierce azure, sable, vert, in
chief three roses or
A shield divided vertically into three
parts, the first one blue, then black, then green with
three gold roses across the top of the shield
Sable, a chevron or charged with three
mullets (stars) gules
black, with a chevron (an inverted
V-shape) on which there are three red stars (the red
stars are on the chevron)
It can get MUCH more complicated, with extra
colors, "furs" in addition to metals and
colors, and specific names for each position of an animal
or other charge, and names for lines, circles and drops
in each color. See the list of links for more information
on blazons.
If you make the castle, using Make a Castle, you
might want to do a small shield for the lord of your
castle, and perhaps ones for the lords and ladies who are
visiting them, enjoying the feast set out for special
guests in the Great Hall.
Go To Shields,
Knights and Heraldry Download
Instruction Page
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